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Conference-Seminar
Nov 14, '09
New York NY United States
Master Cinematography Workshop: “The Power of the Image” with Christopher Baffa, ASC
This is a 1-Day intensive continuing education workshop for ALL filmmakers, videographers, cinematographers, camera operators, members of the motion picture industry, professors, and students. The workshop will start and end with networking/meet-and-greet, so bring your biz cards, and be ready for photo ops. See you in New York City! IMPORTANT DATES: Early-bird online registration is until October 31, 2009. Don't forget to sign up before October 31 for discounts. Register online now. WHAT/WHO: Master Cinematography Workshop: “The Power of the Image” with Christopher Baffa, ASC Come join us for this exciting, “must attend” Master Cinematography Workshop, "The Power of the More...
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Conference-Seminar
Nov 21, '09
New York NY United States
"Shoot it with RED" - RED Production Workshop with Jon Firestone - Continuing Education, 1-Day Intensive in New York City
IMPORTANT DATES: Early-bird online registration is until October 31, 2009. Don't forget to sign up before October 31 for discounts. Register today >> WHAT/WHO: RED Production Workshop with Jon Firestone Come to join us for the highly anticipated and highly in-demand "RED Production Workshop" with Jon Firestone, 6-hour intensive workshop for cinematographers, camera operators, and filmmakers looking to gain a creative and technical edge required in this HD and Digital Era. Learn and immerse in advanced techniques with the state-of-the-art RED Digital Camera. Key topics include Red Camera Operation and Advanced Options. An innovative filmmaker with a VFX and animation More...
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Conference-Seminar
Nov 21, '09 - Nov 22, '09
Brooklyn New York USA
Light & Shadow : a Film and Video Lighting Workshop ADVANCED
LIGHT & SHADOW: A Film and Video Lighting Workshop (Advanced) I believe in America, a voice in the darkness says. The scene fades in to a single light shining onto the forehead of a balding man. Everything else is hidden within shadows. As the camera slowly pulls back, we see a light shine on the imposing silhouette of Marlon Brando. Thus starts the immortal beginning of The Godfather. Legendary cinematographer Gordon Willis and other great filmmakers understand not only how to best light a set, but how light affects the mood of a scene and the emotions of an actor. More...
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Conference-Seminar
Dec 12, '09
New York New York United States
Audition Strategies: an Actor's Workshop from a Producer Perspective
When Sean Young, donning a leather costume, mask, and a whip, stormed into the studio demanding an audition for the role of Catwoman in Batman Returns, director Tim Burton hid under his desk. Case-in-point: Persistence vs Pestering When asked to read for a role, Shelly Winters once slammed down her two Oscars and asked the casting director, “Ya still want me to audition?” She got the part. Case-in-point: Confidence vs Cockiness The night before his audition, Mel Gibson got a broken nose and disconnected jaw in a bar brawl. Director George Miller loved the look and cast him as Mad More...
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